Songs About Evil

Updated April 1, 2024

When it comes to Songs About Evil, there are many artists exploring this idea. We listed 25 of our favorites.

Bulls On Parade by Rage Against The Machine

From the album, Evil Empire, released on April 16, 1996

The song is about the US government's military industrial complex and how it benefits from war. The production is heavy and features distorted guitars and drums.

Wake Up in the Sky by Gucci Mane

From the album, Evil Genius, released on December 7, 2018

"Wake Up in the Sky" is a hip-hop song by American rapper Gucci Mane, featuring fellow American rappers Bruno Mars and Kodak Black. Produced by Bruno Mars, Shampoo Press & Curl and Gucci Mane himself, the song was released on October 12, 2018 as a single off of Gucci's eleventh studio album, Evil Genius. The song is a triumphant anthem about enjoying the fruits of success and lifestyle, with Gucci, Bruno Mars and Kodak Black each showcasing their own charms and lyricism. The bouncy instrumentation and lighthearted production give the song a celebratory vibe, making it an ideal soundtrack for a good night out. Gucci Mane raps about his success and wealth, while Bruno Mars croons in the chorus about living life to the fullest. Kodak Black's verse is more serious, discussing his legal troubles and how he has to stay focused despite the temptations of fame. Overall, "Wake Up in the Sky" is an upbeat and catchy track that is sure to get the party going. It celebrates success, wealth and the luxuries of life without being too serious, making it a great addition to Gucci Mane's discography.

Fast Lane by Bad Meets Evil

From the album, Hell: The Sequel (Deluxe), released on January 1, 2011

"Fast Lane" is a song by rap duo Bad Meets Evil, consisting of Royce da 5'9" and Eminem. The single is from their 2011 EP Hell: The Sequel. The song was produced by Supa Dups and co-produced by Eminem, with additional production from Mr. Porter. The beat has a steady, upbeat rhythm that drives the song and its catchy melody. Lyrically, "Fast Lane" is a braggadocious hip hop track that finds Eminem and Royce trading bars about their success and lifestyle. The two boast about their past accomplishments, money, and fame, while also taking shots at their detractors. The song was a success, reaching number 19 on the US Billboard Hot 100 chart. It also charted on the US Rap Songs and US Hot R&B/Hip-Hop Songs. "Fast Lane" won a Grammy Award for Best Rap Performance by a Duo or Group in 2012.

Bat Country by Avenged Sevenfold

From the album, City of Evil, released on June 6, 2005

"Bat Country" is a song by the American heavy metal band Avenged Sevenfold. It was released as the lead single from their 2005 album City of Evil. The song was written by lead vocalist M. Shadows and guitarist Synyster Gates. It was produced by Mudrock and mixed by Andy Wallace. The song has a fast-paced hard rock sound, with M. Shadows singing lyrics that tell the story of a man whose drug use has sent him into a hallucinatory world of bats and monsters. The song's anthemic chorus has become an enduring part of the band's live shows. The music video for the song was directed by Marc Klasfeld and featured the band members fighting an evil, bat-like creature. The song peaked at No. 30 on the US Billboard Hot Mainstream Rock Tracks chart.

Evil by Interpol

From the album, Antics, released on September 27, 2004

"Evil" is a song by Interpol, released as the lead single from their fourth studio album, Our Love to Admire (2007). It was released on May 7, 2007 in the United Kingdom, and May 8, 2007 in the United States. The song was written by Interpol and produced by Rich Costey. It features a more electronic-tinged sound than the band's previous work and features prominent use of synthesizers and drum machines. The song features a melodic chorus and a driving rhythm section. Lyrically, the song tells the story of a man who is struggling to deal with thoughts of revenge, and ultimately decides to turn away from evil. The song was a moderate commercial success, reaching #25 on the UK Singles Chart and #31 on the Billboard Modern Rock Tracks chart in the US. It also received generally positive reviews from critics.